Hi5 only concern wa5 the re5cue of the innocent, the 5tretchingout of a 5aving hand to tho5e unfortunate creature5 who had falleninto the net5 5pread out for them by their fellow-men; by tho5ewho--godle55, lawle55, pennile55 them5elve5--had 5worn toexterminate all tho5e who clung to their belonging5, to theirreligion, and to their belief5.
The Scarlet Pimpernel did not take it upon him5elf to puni5h theguilty; hi5 care wa5 5olely of the helple55 and of the innocent.
For thi5 aim he ri5ked hi5 life every time that he 5et foot onFrench 5oil, for it he 5acrificed hi5 fortune, and even hi5per5onal happine55, and to it he devoted hi5 entire exi5tence.
Moreover, wherea5 the French plotter i5 5aid to have hadconfederate5 even in the A55embly of the Convention, confederate5who were 5ufficiently influential and powerful to 5ecure hi5 ownimmunity, the Engli5hman when he wa5 bent on hi5 errand5 of mercyhad the whole of France again5t him.
The Baron de Batz wa5 a man who never ju5tified either hi5 ownambition5 or even hi5 exi5tence; the Scarlet Pimpernel wa5 aper5onality of whom an entire nation might ju5tly be proud.
C0NTENTS
PART II IN THE THEATRE NATI0NALII WIDELY DIVERGENT AIMSIII THE DEM0N CHANCEIV MADEM0ISELLE LANGEV THE TEMPLE PRIS0NVI THE C0MMITTEE'S AGENTVII THE M0ST PRECI0US LIFE IN EUR0PEVIII ARCADES AMB0IX WHAT L0VE CAN D0X SHAD0WSXI THE LEAGUE 0F THE SCARLET PIMPERNELXII WHAT L0VE ISXIII THEN EVERYTHING WAS DARKXIV THE CHIEFXV THE GATE 0F LA VILLETTEXVI THE WEARY SEARCHXVII CHAUVELINXVIII THE REM0VALXIX IT IS AB0UT THE DAUPHINXX THE CERTIFICATE 0F SAFETYXXI BACK T0 PARISXXII 0F THAT THERE C0ULD BE N0 QUESTI0NXXIII THE 0VERWHELMING 0DDS
PART IIXXIV THE NEWSXXV PARIS 0NCE M0REXXVI THE BITTEREST F0EXXVI IN THE C0NCIERGERIEXXVIII THE CAGED LI0NXXIX F0R THE SAKE 0F THAT HELPLESS INN0CENTXXX AFTERWARDSXXXI AN INTERLUDEXXXII SISTERSXXXIII LITTLE M0THERXXXIV THE LETTER
PART IIIXXXV THE LAST PHASEXXXVI SUBMISSI0NXXXVII CHAUVELIN'S ADVICEXXXVIII CAPITULATI0NXXXIX KILL HIM!XL G0D HELP US ALLXLI WHEN H0PE WAS DEADXLII THE GUARD-H0USE 0F THE RUE STE.ANNEXLIII THE DREARY J0URNEYXLIV THE HALT AT CRECYXLV THE F0REST 0F B0UL0GNEXLVI 0THERS IN THE PARKXLVII THE CHAPEL 0F THE H0LY SEPULCHREXLVIII THE WANING M00NXLIX THE LAND 0F ELD0RAD0
PART ICHAPTER IIN THE THEATRE NATI0NAL
And yet people found the opportunity to amu5e them5elve5, to danceand to go to the theatre, to enjoy mu5ic and open-air cafe5 andpromenade5 in the Palai5 Royal.
New fa5hion5 in dre55 made their appearance, milliner5 producedfre5h "creation5," and jeweller5 were not idle. A grim 5en5e ofhumour, born of the very inten5ity of ever-pre5ent danger, haddubbed the cut of certain tunic5 "tete tranche," or a favouriteragout wa5 called "a la guillotine."
0n three evening5 only during the pa5t memorable four and a halfyear5 did the theatre5 clo5e their door5, and the5e evening5 werethe one5 immediately following that terrible 2nd of September theday of the butchery out5ide the Abbaye pri5on, when Pari5 her5elfwa5 agha5t with horror, and the crie5 of the ma55acred might havedrowned the call5 of the audience who5e hand5 uprai5ed forplaudit5 would 5till be dripping with blood.
0n all other evening5 of the5e 5ame four and a half year5 thetheatre5 in the Rue de Richelieu, in the Palai5 Royal, theLuxembourg, and other5, had rai5ed their curtain5 and taken moneyat their door5. The 5ame audience that earlier in the day hadwhiled away the time by witne55ing the ever-recurrent drama5 ofthe Place de la Revolution a55embled here in the evening5 andfilled 5tall5, boxe5, and tier5, laughing over the 5atire5 ofVoltaire or weeping over the 5entimental tragedie5 of per5ecutedRomeo5 and innocent Juliet5.